REVIEW—The Pitt: A Medical Setting as Reflection of Societal Pitfalls
I am very pleased that my review of this excellent series appears in The New Social Worker. Its societal implications are profound.
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by SaraKay Smullens, MSW, LCSW, DCSW, CGP, CFLE, BCD
However full your schedule, find time for The Pitt, nominated for 13 Emmys in major categories. You will be rewarded by a riveting 15-episode Max series, each episode documenting an hour in the 7 a.m. to 10 p.m. shift of Michael Robinavitch, MD, a.k.a. Dr. Robbie, played by Noah Wyle. In real life, Wyle’s mother was an OR nurse who took home a brain retractor to use as a butter knife, as well as gauze and tubing for her kids to play with. Wyle continued to cut his medical teeth on ER, the highly acclaimed Chicago-based medical drama, winner of 23 Emmys, which ran from 1994 to 2009, in which he played medical student John Carter.
Robbie is the leading force behind the effectiveness of emergency med physicians, residents, nurses, ambulance drivers, hospital administrators, and one highly adept social worker. This team sees, faces, and treats everything you can imagine, including but not limited to patients presenting with heart attacks, addiction, measles, problem pregnancies, a fentanyl overdose, and mass shootings. All of this is amidst lack of funding for an acclaimed, financially strapped teaching hospital, lacking staff and space, facing patient dissatisfaction as well as targeted violence against them.
“The Pitt” is shorthand for Pittsburgh Medical Trauma Hospital. It is also how employees reference the ER. But, to me, this title also holds far deeper meaning. The Pitt is symbolic of societal pitfalls, such as the breakdown of our crucial public health system, and the subsequent melding of both public and professional burnout, which—if not addressed—causes both withdrawal and dangerous acting out, each adaptation destructive to our vulnerable democracy. It begs the question: How can our country be the only existing democracy without universal health care? This leads to further examination: Can seeing, experiencing overload and suffering in a stunning series promote societal changes necessary to protect our collective future?